Music is the universal language
“Glory to God in the highest heaven, and on earth peace to those on whom his favor rests.” - Luke 2:14
Acoustics
Taj Mahal and Keb’ Mo’ Reunite to Channel Tradition, Tone, and Spirit into a Sound All Their Own
Our wide-ranging interview with the blues legends was a frequently funny call and response between Mo’ and his humble baritone and Mahal’s gravelly, cosmic perspectives.
Categories: Acoustics, General Interest
Reserving judgement
I HAVE to get back to regular posts on my little blog, said Gene to himself. Lots has happened since the last post, perhaps of interest, perhaps not. But if nothing else, putting down some thoughts and ideas about guitar playing, the music biz and suggestions to help us all weather the societal storm that is raging all around us with music can't hurt, right?
So I'll dive right in. I know my site is primarily about acoustic guitar but here's a suggestion for something that may brighten your day. Bad habit of mine: being "late to the parade" when I discover a group or artist that I instantly love but who's been around for a long time. I try to keep an open mind and do a good amount of research but I often depend upon friends and relatives to turn me on to people making great music. Often, it's my son Matt who I'm proud to say has very eclectic tastes in music but often steers me in a direction I would not have considered. While we will never agree on certain things (his occasional recommendations of some hip-hop "artist") and my love of bluegrass/newgrass but a few months ago he strongly recommended singer/songwriter MJ Lenderman and as it happened, I was teaching a recent song by the alt/country group Waxahatchee called "Right Back To It" that featured him as a guest artist singing harmony. Love the song, excellent lyrics and a catchy chord sequence over a solid melody (check it out!).
Anyway, I did my due diligence and checked out MJ. He's a bit too much of the "shoe gazer" variety of younger musicians but some of his songs caught my attention and I'll be spending more time getting to know his stuff.
I am proud to say that way, way back I used to play a mix tape (remember them?) on our long-distance camping trips when Matt and his sister Joanna were kids. Matt credits that old tape with helping him discover some music from his dad's misspent youth that he really liked. It included songs by Santana, Traffic, Beatles (of course!) and the long, live version of the Stones "Midnight Rambler" recorded at Madison Square Garden in 1969. If you haven't listened to that one in a while I strongly endorse giving it another go. Whew, barely controlled chaos by the Stones at the height of their pure power.
But back to my recent discoveries of music and artists I should have paid attention to a long time ago. The group Los Straightjackets just released their first album of totally original material in over eight years, called Somos. They are unabashed carriers of the spirit of pure electric guitar twang ala Dick Dale and Duanne Eddy, sometimes called surf music back in the day. BUT.....thanks to modern recording technology and the fact that they are all virtuoso players they surpass anything done in the 1960s. All the 15 songs on the album are instrumentals and only one clocks out at barely over three minutes in length but wow, wow, wow. Some of the songs feature strong melodies at moderate speeds and one reviewer said: this is what the Beatles would have sounded like at the Cavern in 1962 if the Beatles were much better players with much better equipment. And I agree 100%. However, the majority are straight-ahead rockers and if your foot isn't taping after the first few licks you'd better check your pulse! You can buy the album to download or download-plus-CD from Yep Roc records where you'll find MANY other great artists. This album has become my go-to when I want to forget the latest news from Washington, at least for a few minutes and have my soul rubbed clean. Oh, and all the band members wear Mexican pro wrestler masks when they perform. Why? Why not!
My own performing over the last couple of months has been more frequent than I thought it would be. After my 13-year tenure at the Daily Brew ended I did beat the streets a bit in hopes of finding a similar gig but nothing came of that. Finding gigs has never been my strong suit anyway; I very much admire musicians who brush off rejection almost immediately and continue their efforts. I have never been that guy, nor will I ever be. I don't deal well with rejection and that is pretty much what it comes down to. But thankfully and for reasons no one really understands, when people are looking for a guitarist to play a wedding ceremony or for a private event here on Cape Cod my site seems to come up frequently. Thanks, Google, I guess.... (!) So over the past three months I've played four wedding ceremonies, a couple of them included the cocktail hour, two private parties and two more of the wonderful Music at the Table events that I wrote about earlier this year. I'll be doing another one of those next week. For the second year in a row, back in August I played the North Falmouth Porchfest accompanied by my friend and sometime-student Tom Austin. It was great fun, the weather was picture-perfect and the crowds were estimated at twice what they were last year and they were very enthusiastic. In spite of a couple glitches in PA system at our location Tom and I were very pleased with our performance and some people we know said it was the best they'd ever heard us. I absolutely LOVE playing with Tom. His pure joy in making music is infectious even to this old musician. The best part for me is that I can totally depend on Tom to be there on the chord changes and better yet, he adjusts when I go a bit off the tracks.
I also had the opportunity to meet some very good local musicians who played Porchfest at our location and I'm hoping to get together with a couple of them in the coming weeks to try some tunes in a slightly different setting than I'm used to.
Which brings me back to what I said at the beginning of this blog entry. We are in the middle of an existential moment in history. Every day it seems there is a new crisis that seems to challenge the very existence of our democracy. No matter which side of the political fence you inhabit, try hard to not make instant judgements (and for me personally, that is very hard to do sometimes). Gather as much information as you can, from as many sources as possible. Don't fall for easy answers to complex problems. And for me anyway, the best way to channel emotions is via that wood and steel contraption sitting on my leg. It doesn't pass judgement although at times it will challenge my honesty - my honesty with myself. More than anything, it offers an escape where you can rebuild your strength.
Peace & good music,
Gene
Categories: Acoustics
Learn to Strum and Sing Fats Wallers’ Classic “Ain’t Misbehavin’”
Penned in collaboration with composer Harry Brooks and lyricist Andy Razaf, the song made its debut in 1929 and was an instant sensation.
Categories: Acoustics, General Interest
Letter from the Managing Editor | Happy Camper
What started as a way to go beyond the printed page and connect readers with some of the top players and instructors in the guitar universe has grown into a vibrant online community
Categories: Acoustics, General Interest
“When I’m Sixty-Four”—Learn a Fun, Hybrid-Picked Arrangement of This Time-Honored Beatles Tune
“When I’m Sixty-Four” makes a great guitar song—whether played with a pick, fingers, or hybrid style, as it’s arranged here.
Categories: Acoustics, General Interest
Hardly Strictly Acoustic—Snapshots From San Francisco’s Favorite Festival
The festival’s radical spirit of community, inclusive of all creative expression, is something that should inspire us.
Categories: Acoustics, General Interest
Sierra Hull Breaks Down “Spitfire” | Acoustic Guitar Sessions
Earlier this month, AG caught up with mandolinist, guitarist, and songwriter Sierra Hull at the revered San Francisco live music venue the Independent. In an intimate backstage setting, Hull and guitarist Shaun Richardson delivered rousing performances of “Spitfire” and “Truth Be Told.” Hull also shared the story behind “Spitfire”—an ode to her grandmother—and the techniques […]
Categories: Acoustics, General Interest
How to Create a Solo Using Scale Notes and Chord Shapes
Even if you usually stick to rhythm playing, all you need to craft cool, musical solos are some straightforward ingredients that are right at your fingertips.
Categories: Acoustics, General Interest
Meet Your Instructors | Acoustic Guitar Couch Camp 2025
Get to know the world-class guitarists and educators who will be leading virtual workshops this November.
Categories: Acoustics, General Interest
Review: Buck Curran’s ‘Far Driven Sun’ Reunites a Beloved Sobell Guitar with a Master of Acoustic Atmosphere
After nearly two decades apart, Curran and his Stefan Sobell “Butterfly” Model 1 create shimmering, meditative soundscapes rooted in British folk tradition and colored by psychedelic textures.
Categories: Acoustics, General Interest
Fingerstyle Blues Workout—Explore the Rhythmic Power and Melodic Potential of Dropped-D Tuning
We’ll begin by exploring how dropped-D shapes work on the I, IV, and V chords in the key of D, then build from there with ways to move through the full 12-bar form.
Categories: Acoustics, General Interest
Trey Hensley Plays His New Taylor Gold Label 517e Grand Pacific
Sponsored by Taylor Guitars: Once dubbed “Nashville’s hottest young player” by this magazine, Trey Hensley brings his signature blend of Appalachian grit and bluesy finesse to Taylor’s new Gold Label 517e. In this video, captured at Soundcheck Nashville, Hensley weighs in on the new round-shoulder dreadnought and demonstrates its earthy depth and warm, old-school tone. “I’ve […]
Categories: Acoustics, General Interest
Letter from the Editor | Acoustic Guitar Issue 355
The acoustic guitar remains relevant because of the people who continue to do meaningful work with it. That’s why we make this magazine: to document and celebrate that work, and to keep the conversation going between musicians, makers, and listeners.
Categories: Acoustics, General Interest
The Young People’s Music of Little Folkies | Acoustic Guitar Sessions
Little Folkies, a music program that aims to get young kids engaged with folk music, is the passion project singer-songwriter Irena Eide.
Categories: Acoustics, General Interest
Tritone Substitutions with Lisa Liu | Acoustic Guitar Teaching Artists
In this lesson Lisa takes a basic progression in C major and shows just how colorful and expressive chord substitutions can be.
Categories: Acoustics, General Interest
Parlor Guitars: A Brief History and Buyer’s Guide
Interest in small-bodied parlor guitars—precursors to the bulky modern dreadnought—is skyrocketing. Learn all about these guitars, why players love them, and which model could be right for you.
Categories: Acoustics, General Interest
How to Play the Challenging and Rewarding Flatpicked Fiddle Tune ‘Daley’s Reel’
The arrangement presented here sits well on the guitar while intentionally retaining the playful rhythmic bounce of the melody.
Categories: Acoustics, General Interest
Join Us This Fall for a Weekend of Learning & Community
Introducing Acoustic Guitar Couch Camp—a virtual retreat featuring workshops, performances, and community.
Categories: Acoustics, General Interest
Blending Folk, Jazz, and Gospel Influences in a Fresh Take on the Beloved Spiritual ‘Go Tell It on the Mountain’
This arrangement draws on both the joy of my early classroom memories and the song’s evolution into a broader message of renewal.
Categories: Acoustics, General Interest
Review: Adrian Holovaty’s ‘Layer Cake’ Is an Irresistibly Joyful Acoustic Confection
Five-song EP blends manouche rhythms and fingerstyle flourishes into intricate, buoyant instrumentals.
Categories: Acoustics, General Interest


















